| Mia Enell
born 1967 in Göteborg, Sweden Selected Solo Exhibitions |
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| 2008 | Shit hits the fan 2, performance and installation, Up&Co, New York |
| 2005 | Mysteries of life, Gallery Edward Mitterrand, Geneva |
| 2004 | Me and Marcel, verytrolleygallery / UP&CO, London |
| Mia Enell: Paintings and drawings, Luxe Gallery, New York | |
| 2002 | Now Let Us Praise Famous Mice, UP&CO, New York |
| 1997 | Just showing, Independent Center for Art & Photography, Paris |
| 1995 | Galerie Crous/Beaux Arts, Paris |
Selected Group Exhibitions and Public Commissions |
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| 2007 | Love Screening, Sagamore Hotel/Collection, Miami |
| Year of the pig, Elga Wimmer Gallery, New York | |
| 2006 | Videolounge ArtBasel Miami, Sagamore Hotel, curated by Louky Keijsers and Kimberly Marrero |
| DIVA fair, Paris and Miami, with Elga Wimmer Gallery | |
| Material Abuse, Colgate University Museum, New York | |
| Figuratively Speaking II, Elga Wimmer Gallery, New York City | |
| E-migration (Penelopeia) Hellenic Museum, Chicago, curated by Zoe Kosmidou | |
| The Library Painting, site-specific project, Mid-Manhattan Library, The New York Public Library | |
| Vita Kuben, White Box video series, Umeå, Sweden curated by Annee Olofsson | |
| 2005 | Draw, Son Espace, Palafrugell, Spain curated by Julian Sunyer, Luis Vidal |
| Art&Book, Hotel Omm, Barcelona curated by Julian Sunyer, Luis Vidal | |
| video:series, Goliath Visual Space, Brooklyn, curated by Madeleine Gallager, Bettina Johae | |
| Liquid Architecture, t-shirt drawing edition for Jerome Sans performance, at Deitch project | |
| It’s not about sex, Luxe gallery, New York | |
| 2004 | BrightYellow & Dark Blue, (two women show) Nordic Heritage Museum, Seattle |
| Olympic Truce, curated by Zoe Kosmiou, Delegation of European Commission, Washington D.C. | |
| DIVA fair, with Luxe Gallery | |
| Simply Drawn, Luxe Gallery, New York | |
| Stop and Stor, Luxe Gallery, New York | |
| 2003 | Drawn, Margaret Thatcher Projects, New York |
| Penelopeia, curated by Zoe Kosmidou, Internat.Monetary Fund’s Atrium Gallery, Washington D.C. | |
| Painting and Beyond, Gallery S.E.Bergen, Norway | |
| 2002 | Parcours Artistique, curated by Anne-Pierre d’Albis, St Germain des Près, Paris |
| 2001 | Phuh, curated by David Humphrey, Fishtank Gallery, Brooklyn |
| Girls on Top, Galerie Valerie Cueto, Paris | |
| 2000 | Parcours Artistique, curated by Anne-Pierre d’Albis,Hervé Mikaeloff, and Alfred Paquement, St Germain des Près, Paris |
| Kamasutra, curated by Julian Zugazagoitia, Spazio Montenero, Milan | |
| Nous Nous Sommes Tant Aimés, curated by Alfred Paquement, Quai Malaquais/ENSBA, Paris | |
| 1999 | Ainsi de Suites 3, curated by Lili Kim, Centre Régional d’Art Contemporain, Sète, France |
| Projet Vitrines, curated by Hervé Mikaeloff, Caisse des Dépôts et Consignations, Paris | |
| Size Matters, curated by Mike Weiss, Gale Gates Gallery, Brooklyn | |
| Red, Galerie Valerie Cueto, Paris | |
| Espace Paul Ricard, Paris, curated by Eric Dereumaux and Colette Barbier | |
| 1998 | Collection Ahrenberg, Travelling Exhibition: Musée des Beaux Arts, Mons, Belgium and Fondation Bénèdectine, Fécamps, France |
| Mobile 2000, curated by Laurence Hazout, Caisse des Dépôts et Consignations, Paris | |
| 1997 | Passive/Aggressive, curated by Susie Kim, Korean Cultural Centre, Los Angeles |
| 1996 | Sotheby’s contemporary, curated by Ann Westin, Stockholm |
| 1993 | Vänersborgs Konsthall, Vänersborg, Sweden |
| 1992 | The Meaning of Art, Centre Culturel Suèdois, Paris |
Grants and Awards |
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| 2004 | The American-Scandinavian Society, Cultural Award, New York |
| 1997 | Cité Internationale des Arts, Paris |
| 1992 | French Ministry of Cultural and Foreign Affairs, Paris |
Education |
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| 1992 | Diplôme Nationale Supérieur d’Art Plastique-MFA, Ecole Nationale Supérieure des Beaux-Arts, Paris |
| 1987 | Nyckelvik School of Art, Stockholm |
| 1991 | Cultural Grant, City of Vänersborg, Sweden |